January 5th 2026 Live
Listing ID#: 836536

Sale Location

Weaverville, NC 28787
Sale Dates and TimesSALE IS COMPLETED
Monday Jan 5, 2026 Completed
Sale Type
 Live Auction  VIEW ONLINE CATALOG
Company Information
Broken Arch Auction Gallery

Contact: Travis Wilson
Phone: 828-713-2844
Email: info@brokenarchgalley.com
Website: Brokenarchgallery.com

EstateSale.com ID#: 7574
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Listing Terms and Conditions
Broken Arch Auction Gallery
60 Monticello Rd
Weaverville, NC 28787
NCFL #9399


TERMS OF SALE

1. All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Broken Arch Auctions or by any seller represented by Broken Arch Auctions

. 2. Bidding will begin at a price appropriate in auctioneer's discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. Employess of Broken Arch can bid at our auctions in the same manner as the public. The auctioneer can bid on behalf of the seller.

3. Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder's responsibility to get our attention prior to our saying sold. We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer's discretion.

4. Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. We reserve the right to not issue a buyer's number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashiers check.

5. Payment is expected at time of purchase. Payment for successful absentee, phone bids and online bids are required within five business days of the auction. Bidding on an item indicates the client?s acceptance of our Terms of Sale.

6. We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. All phone bids will open at $100 Broken Arch Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute.

7. In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers.com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 100 lots per hour.

8. In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above.

9. Purchaser agrees that packing and shipping is done at the purchaser's risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will taken to the local UPS store or shipping venue of your choice. Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests. Broken Arch will have no liability for any loss or damage to shipped items.

10. Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our to avoid such a situation.

11. All purchases are subject to applicable North Carolina sales tax unless the North Carolina Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer's country.

12. Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Broken Arch Auction may seek all remedies under the law including canceling the sale and reoffering the property without reserve.

13. A buyer?s premium will be applied to the purchase price of all items: Buyer Premium are as follows 20%....Liveauctioneers with cash, check or wire transfer 23%....Liveauctioneers with MasterCard, Visa, Discover and American Express credit cards

14. Purchased items not picked up from our auction facility within 5 business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within 30 calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer's commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Broken Arch Auction. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you.

15. Export and Permits - It is the purchaser's sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalogue reflect Broken Arch Auction reasonable opinion at the time of cataloguing and are for bidders general guidance only; Broken Arch Auction and the Consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or any embargoes.

16. Due to the embargo on Persian carpets, international shipping is not available.

17. Broken Arch Auction makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, earth mined, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, cultured or natural pearls, fresh water, south sea, Tahitian pearls, and other materials used in jewelry, may be enhanced by a variety of treatments.Broken Arch Auction makes no warranties or guaranties that any clock or watch is in working order.

18. Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 24 hours in advance of the auction to allow for time to complete the approval process. We make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. First time participants bidding through any online platform will be limited to a maximum of $25,000 total in cumulative bids. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with Broken Arch Auctions through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. We will make every effort within reason to accept and process bids from online participants. Broken Arch Auction will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature.

19. Any items paid for but not picked up or scheduled for delivery 30 days from the sale date WILL BE SOLD FOR STORAGE.


Listing Information
The January 5 Auction brings together a carefully assembled group of works defined by material integrity, function, and longevity. Spanning fine and decorative arts, furniture, sculpture, and utilitarian objects, the sale reflects a shared emphasis on craftsmanship and enduring form rather than momentary fashion. From early paintings and sculptural works to vernacular furniture, silver, ceramics, and timepieces, each lot has been selected for the clarity of its making and the confidence of its presence. Many of these objects were created to be used as much as observed, bearing the marks of time not as flaws, but as evidence of purpose. Together, the works form a considered cross-section of objects shaped by hand, culture, and necessity?inviting collectors to acquire pieces that continue to function, resonate, and endure. NCFL#9399 info@brokenarchgallery.com 828-713-8869

1000
19th Century Painting of a Cow in Landscape
Oil on canvas, no visible signature, sight 18 x 27 in., gilt wood frame..canvas has been cut down and lined, yellowed varnish, crackle, paint loss, surface dirt, areas of repairs/repaints, taped margins, not examined out of frame..DOA: 24.5H x 33W x ...

1001
Farmers Tilling Their Field, Oil on Canvas
Late 9th/early 20th century, signed lower right, sight 8.5 x 11.5 in., gilt wood frame..surface dirt and grime, crackle, minor paint loss, not examined out of frame..DOA: 12H x 14.5W x 1.5D inches

1002
Golden Day, Richard Sigafous
American, 1908-1985..oil on Masonite, signed lower right, signed and titled in pencil on frame verso, sight 7 x 9�in., linen liner and period frame..surface dirt and grime, liner with staining and discoloration, not examined out of frame..DOA: 1...

1003
Antique Painting of The Mater Dolorosa
Late 18th/19th century, oil on canvas, laid over board, apparently unsigned, sight 9.5 x 7.5 in., parcel gilt frame..old varnish, surface grime, crackle, scattered abrasions, not examined out of frame..DOA: 15.5H x 12.5W x 2D inches

1004
Ancestral Portrait of a Lady
Mid 19th century, oil on canvas, unidentified sitter, apparently unsigned, unframed..surface dirt, abrasions and punctures to canvas, paint loss, stretched over newer frame..canvas 24H x 19W x 1D inches

1005
Dutch School Tavern Scene
18th/19th century, oil on canvas, apparently unsigned, sight 13.5 x 17.5 in, gilt liner and later frame..canvas laid over panel and appears to have been cleaned, surface dust, scattered abrasions, not examined out of frame..DOA: 22H x 26W x 1.5D inch...

1006
Old Master Style Portrait of a Gentleman
18th century, Dutch school, oil on panel, unidentified sitter, apparently unsigned, sight 16 x 11 in., later frame..yellowed varnish, surface abrasions, crack on panel lower right, not examined out of frame..DOA: 22H x 27W x 2D inches

1007
Tavern Scene with Rowdy Patron
18th/19th century, oil on panel, apparently unsigned, sight 12.5 x 10.5 in., gilt wood frame..yellowed varnish, crackle, vertical split to panel, surface dust, frame has age related wear and gold repaint, not examined out of frame..DOA: 18.5H x 16.5W...

1008
Spanish Landscape with Gnarled Tree
Mid to late 20th century, oil on canvas, no visible signature, sight 23H x 35W inches, parcel gilt frame..surface dust and grime, few scattered abrasions, frame with wear and loss, not examined out of frame..DOA: 31.5H x 44.5W x 2.5D inches

1009
Landscape at Sunset, J. M. Ducker
19th/20th century, oil on canvas, signed lower left, 19.5 x 29.5 in.,gilt wood frame..surface dirt, crackle/cupping, repairs and repaints to canvas, not examined out of frame..DOA: 23.5H x 33.5W x 2D inches

1010
Portrait of a Man Holding a Snuff Box
19th century, oil on canvas, apparently unsigned, sight 21 x 16 in., parcel gilt curly maple frame..canvas has been lined, cupping/crackle, surface dirt and grime, old varnish, bloom, frame with veneer wear and loss, not examined out of frame..DOA: 2...

1010
Interior Genre Scene, J. Turber
Late 19th/early 20th century, oil on panel, signed lower left, sight 5.5 x 3.5 in., gilt wood frame with nameplate, verso with Marshall Field & Company label..surface dirt and grime, old varnish, frame with Hancock, not examined out of frame..DOA: 10...

1011
Interior Concert Hall Scene, C. McCartney
20th century, oil on board, signed lower left, sight 16.5 x 22.5, matted and glazed in gilt wood frame..good estate condition overall, glass could use cleaning, not examined out of frame..DOA: 26H x 32W x 2D inches

1012
Mid 20th Century Portrait of an Elder
Lonely continental school, oil on canvas, signed upper left, sight 23 x 19 in., gilt gesso frame..light surface abrasions, crackle, surface dirt, scattered losses to frame, not examined out of frame..DOA: 29.5H x 25.5W x 25D inches

1013
The Quack, after Gerrit Dou
20th century, oil on canvas, signed lower right, sight 19 x 15 in., gold tone composition frame..surface dust, light abrasions, not examined out of frame..DOA: 26H x 22W x 3D inches Line Item # 12

1014
Pair of Judaica Portraits, Zjwicka Kuzmowicz
Polish, 20th century..oil on canvas, both are signed, sights 23.5 x 19.5 in., in matching parcel gilt and ebonized frames..surface dust, light abrasions, frames with wear and in need of cleaning, not examined out of frames..each frame 30H x 26W x 3D ...

1015
Coastal Landscape with Boat
Late 19th/early 20th century, oil on canvas over panel, apparently unsigned, sight 11 x 8.5 in., gilt composition frame..surface dirt, crackle, light abrasions, paint loss, not examined out of frame..DOA: 15.5H x 13.5W x 2D inches Line Item # 11

1016
Landscape with Traveler on Path
Late 19th/early 20th century, oil on panel, apparently unsigned, sight 5 x 7 in., gilt wood frame..surface dust, light abrasions, repaints to frame, not examined out of frame..DOA: 9.5H x 11.5W x 1.5D inches Line Item # 9

1017
Pastoral Landscape with Cows and Haystacks
Late 19th/early 20th century, apparently unsigned, sight 7 x 10 in., gilt wood frame..surface dust, light abrasions, crackle, frame with age related wear, not examined out of frame..DOA: 11.5H x 14.5W x 1.5D inches Line Item # 17

1018
Gull Resting, Francis E. Hamabe
Maine, 1917-2002..Serigraph on paper, pencil titled lower left, signed and dated 1959 lower right, sight 10 x 13.5 in., matted and glazed in blue frame..toning and mat burn to paper, toning to mat, frame with light paint loss, not examined out of fra...

1019
Framed Marguerite Kirmse Etching
American 1885-1954)..etching on paper, signed and titled in pencil along lower margin, sight 7 x 13 in., matted and glazed in simple black frame..toning, light foxing, waviness to paper, not examined out of frame..DOA: 14.5H x 19.5W x 0.5D inches Lin...

1020
Snowy Owl, Stow Wengenroth
American, 1906-1978..lithograph on paper, pencil signed lower right, Ed/60 lower left, sight 10.5 x 16.5 in., matted and glazed in gilt frame..toning and mat burn to paper, toning to mat, not examined out of frame..DOA: 18H x 23W x 1D inches Line Ite...

1021
Great Horned Owl, Stow Wengenroth
American, 1906-1978..lithograph on paper, pencil signed lower right, Ed/50 lower left, sight 16 x 12 in., matted and glazed in wooden frame..toning and mat burn to paper, toning to mat, not examined out of frame..DOA: 23H x 19W x 1D inches Line Item ...

1022
A German Town Hall Architectural Perspective
Pen and ink wash rendering of a town hall, titled in German, pencil signed Philip Slein 1904 lower right, sight 26.5 x 22 in., matted and glazed in gilt wood and gesso frame..toning and light foxing throughout, minor water stains, age related wear an...


1024
Assorted Downy Ducklings, Allan Brooks
Canada, 1869-1945..watercolor on paper, signed lower left, sight 14 x 10 in., with scientific names at bottom and noted as about 2 days old, verso with Sporting Gallery and Bookshop label, noted as Plate No. 62 from Phillips Natural History of Ducks,...

1025
Pen and Ink Wash Study of Woman and Child
Note on verso attributed work to Samuel Shelley (1750-1808)..on laid paper, sight 7.5 x 5.5 in., paper verso visible with additional sketches, modern frame..toning and foxing to paper, not examined out of frame..DOA: 14.5H x 12.5W x 1.5D inches

1026
Framed George Howell Gay Seascape
American, 1858-1931..appears to be a period print heightened with watercolor and gouache accents, signed lower right, sight 11 x 25 in., double matted and glazed, gilt. Imposition frame..toning, light foxing, not examined out of frame..DOA: 22H x 36W...

1027
Landscape with Cattle and Mountains
Late 19th/early 20th century, watercolor on paper, apparently unsigned, sight 20 x 36 in., glazed in gilt wood frame..toning, foxing, water damage, holes to paper, laid over canvas, frame with loss and wear..DOA: 24H x 40W x 2D inches

1028
Draft Horse and Figures, Henry William Standing
British, act.1894-1931..watercolor and gouache on paper, signed and dated 1908 lower right, sight 14 x 20 inches.,French mat, oak frame..missing glass, holes and abrasions to paper, toning, not examined out of frame..DOA: 24H x 30W x 1D inches

1029
Masks of Venice, W. C. Nelson
Mid to late 20th century, watercolor on paper with gouache, ink, and gold leaf accents, signed in red lower right, sight 22 x 22 in., double matted and glazed, gilt composition frame..good condition overall, light toning, not examined out of frame..D...

1030
What - No Bananas, W. C. Nelson
Mid to late 20th century, mixed media watercolor with gouache, ink, and gold leaf, signed lower right, titled on verso, sight 21 x 21 in., double matted and glazed, gilt composition frame..good condition overall lightning, not examined out of frame.....

1031
Chinese Empress Portrait, Qing Dynasty Style
Large traditional Chinese Empress portrait on watercolor on silk, depicting a seated elder in formal court attire with embroidered rank badge and beaded headdress. Executed in the Qing dynasty style, with rich mineral pigments and fine detailing, som...

1032
Willie Massey Folk Art Airplane
Well known African American Folk Artist Willie Massey ( 1906-1990), Bowling Green KY, has created this 21 inch tall fruit crate airplane on stand. Using found materials, his art is one of a kind and each piece unique. Signed and dated 1995

1033
Willie Massey Folk Art
Hand Crafted from found materials, Folk Artist Willie Massey created this whimsical 13 inch wheelbarrow with garden tools.Created from plywood, tin bottle caps, and tape, Massey from Ky learned to make art from practical items. Unsigned but with attr...

1034
Early Needlepoint Sampler
Early 19th C Childs sampler, spiritual verse, school house, figures, animas and triditional design's, Jane Bycroft age 10, significant wear, strong colors, 15.25 x 15.5

1035
Carved Marble Inuit Panel
Carved stone relief depicting a continuous procession of figures rendered in low relief, each clad in heavy garments, Signed David Bennett,

1036
Sand Dunes, Melody Andy Napaltjarri
Pupunya Surroundings, b. 1967..acrylic on unstretched Belgian linen, signed and titled on verso, with COA from Australiart, canvas 28.5H x 38.5W inches

1037
Yam Leaves, Mary Rumble Petyarre
Utopia (Eastern Desert), b. 1957...acrylic on unstretched Belgian linen, inscribed on verso..creasing to canvas edges, stored hanging..canvas 27.5H x 38W inches

1038
Watiya Tjuta (The Trees), Mitjili Nupurrula
Haasts Bluff, 1945-2019..acrylic on unstretched Belgian linen, unframed, signed on verso, with COA..light surface abrasions, water stains and waviness to linen..canvas 27.25 x 26.5W inches

1039
Tali Sand Hills, Lily Kelly Napangardi
Haasts Bluff, b. 1948..acrylic on unstretched Belgian linen, signed on verso, with COA..some surface dirt on canvas, creasing at edges..canvas 29.25H x 38.75W inches

1040
Bush Yam, Janet Golder Kngwarrye
Utopia, b. 1973..acrylic on unstretched Belgian linen, signed on verso, with COA..light rippling to canvas, scattered overpaint..canvas 28.5H x 37.5W inches

1041
Bush Plum (Alkwe), Aileen Mbitjana
Utopian Station, b. 1940..acrylic on unstretched Belgian linen, signed and titled on verso, with COA..some overpaint, dis coloration to edges of canvas..canvas 27.5H x 38.5W inches

1042
Womens Ceremony, Narpula Scobie Napurrula
Haasts Bluff, b. 1950..acrylic on unstretched Belgian linen, signed on verso, with COA..light creasing and rippling to canvas, light surface dirt..canvas 27H x 37.75W inches

1043
Bush Leaves, Annie Napangardi Nelson
Ti Tree Community, b. 1968..acrylic on unstretched Belgian Linen, signed and titled on verso, with COA..light creases to edges, rippling..canvas 27.5H x 37.5W inches

1044
Hail Dreaming, Lilly Kelly Napangardi
Haasts Bluff, b. 1948..acrylic on unstretched Belgian linen, inventory number on verso, with COA..light surface abrasions, rippling, stiff edges, stored hanging..canvas 50.5H x 28.5W inches

1045
Tree Roots, Lynette Corby
Haasts Bluff, b. 1958..acrylic on unstretched Belgian linen, January 2010, inventory info on verso, with COA..light surface abrasions, jagged cut edges, stored hanging..canvas 51H x 33.5W inches

1046
Medicine Leaves, Jeannie Pitjara Petyarre
Utopia, 1951-2022..acrylic on unstretched Belgian linen, inscribed Jeannie on verso, with COA..surface dirt at edges, light abrasions, stored hanging..canvas 28.5H x 38.5W inches

1047
Medicine Leaves, Mary Rumble Petyarre
Utopia (Eastern desert), b. 1957..acrylic on u stretched Belgian linen, inscribed on verso, with COA..light creasing and discoloration at edges, stored hanging..canvas 29H x 38W inches

1048
Rock Holes-Tjin Tjin, Katherine Marshall Nakamarra
Papunya, b. 1968..acrylic on unstretched Belgian linen, inscribed on verso with artist name and inventory number, with COA..light creasing at edges..canvas 27.25H x 37.25W inches

1049
Blue Tongue Lizard, Debra Nangala Mcdonald
Pupunya Camp, b. 1969..acrylic on unstretched Belgian linen, inscribed and titled on verso, with COA..creasing to edges, stored hanging..canvas 27H x 38W inches

1050
My Country, Mary Rumble Petyarre
Utopia (Eastern Desert), b. 1957..acrylic on unstretched linen, inscribed on verso, with COA..creased edges, surface discoloration, stored hanging..canvas 28.5H x 39W inches

1051
Medicine Leaves, Rosemary Pitjara
Utopia, b. 1945..acrylic on unstretched belgian linen, inscribed on verso, with COA..creasing at edges, areas of overpaint, stored hanging..canvas 28.5H x 38.5W inches

1052
Late 19th Century Portrait of a Child
Oil on panel, no visible signature, sight 8 x 7 in., under glass, gilt wood and gesso frame..surface dirt, crackle, age related wear to frame, not examined out of frame..DOA: 13H x 12W x 3D inches

1053
Wandering Musicians, After Christian Dietrich
late 19th century, Oil on canvas after original painting by Christian Wilhelm Ernst Dietrich, no visible signature, sight 7 x 6 in., gold painted frame..surface dirt and grime, crackle, light paint loss, not examined out of frame..DOA: 13.5H x 12.5W ...

1054
Portrait of a Man, C. F. Madsen
German, 20th century, oil on panel, signed lower left, sight 6.5 x 5.5 in., gilt wood frame with name plate..surface dirt, crackle, frame with spotting, not examined out of frame..DOA: 10H x 9W x 1.5D inches

1055
Still Life with Grapes and Stone Fruit
Late 19th/early 20th century, oil on panel, signed lower left, sight 9 x 7 in., gilt composition frame..surface dirt, crackle, yellowed varnish, age cracks and repairs to frame, not examined out of frame..DOA: 18H x 16W x 3D inches

1056
Still Life with Copper Pots and Pans, Dutch School
Oil on canvas, laid over cradled panel, apparently ubsigned, sight 10 x 7.5 in, frame plaque attributes work 16th century but likely later, gilt wood and gesso frame..surface dirt and grime, old varnish, surface abrasions and paint loss, frame with ...

1057
Dutch Style Village Landscape, Bondar
20th century, oil on panel, partially visible signature lower left, sight 15.5 x 11.5 in., gilt composition frame..surface dust, light surface abrasions, frame with damage at top left corner not examined out of frame..DOA: 23H x 19W x 2.5D inches

1058
The Laborers Respite, after George Morland
20th century oil on panel after original work by Morland (British, 1763-1804), sight 26 x 17 in., gilt gesso frame..surface dirt and abrasions, paint loss, frame with damage at top left, it examined out of frame..DOA: 34H x 25W x 3D inches

1059
Madonna and Child with Young John the Baptist
19th century, oil on panel, similar in style to Madonna of the Magnificat by Sandro Botticelli, carved gilt wood frame..age related wear to paint surface, cracks to panel, surface dirt, age related wear and loss to frame *frame is heavy*..DOA: 40H x ...

1060
Still Life with Fruit, Vegetables and Bird of Prey
19th century, oil on canvas mounted on panel, apparently unsigned, sight 25.5 x 28.5 in., gilt wood frame..damage and loss to original canvas, creases and bubbling, surface grime, paint loss, not examined out of frame..DOA: 29.5H x 32.5W x 1.5D inche...

1061
Oil on Painting David Hunter McCalpin
David Hunter McAlpin (1816�1901) was a prominent industrialist and real estate owner in New York City.19th C oil on canvas, minor blemishes, gold tone frame 26 1/2 x 32 1/2

1062
Pair Asian Enameled Porcelain Plaques
20th century, featuring cranes and a song bird, enameled and inscribed, coordinating frames..surface dirt and grime, frames with fading and sun damage, not examined out of frames..each frame 23.5H x 15.5W x 1D inches

1063
Large Famille Porcelain Charger
16 inch Famille Rose chargers, six panel surround with birds, butterfly designs. Gilt trim

1064
Bronze Bust of a Young Woman
Attributed to Nguyen Thanh Le (Vietnamese, 1919-2006)..patinanted bronze bust on black wooden base, signed on the back of the neck, light surface wear, rubbing to base..13.5H x 6.5W x 5.5D inches

1065
Large Chinese Blue & White Floor Vase
Tall Chinese porcelain floor vase with flared rim, decorated in underglaze blue with continuous landscape scenes and calligraphic script. Finished with an intentional crackle glaze throughout. Bearing a square cartouche mark to the base. 20th century...

1066
Blue & White Chinese Floor Vase
Tall Chinese porcelain floor vase with flared rim, decorated in underglaze blue with painted landscape scenes and calligraphic inscription. Bearing a square cartouche to the base. Surface wear and kiln-related imperfections consistent with manufactur...

1067
Bronze Guanyin Or Bodhisattva
Thousand Hands and Eyes figure signifies boundless compassion, and protection for followers. Seated in meditation pose on a lotus base. Large 22 inch tall piece.

1068
Pair of Monumental Chinese Dragon Floor Vases
Pair of tall Chinese porcelain floor vases, each decorated in underglaze blue with sinuous dragons amid waves and clouds, heightened with iron-red accents. Flared trumpet rims with painted Chinese characters near the necks; square blue marks to the b...

1069
Vintage Terracotta Warrior
Cast composite terracotta figure modeled after ancient Chinese scholar-official and military representations, inspired by Qin Shu Huang terracotta army terracotta forms. The standing figure wears a formal robe with incised geometric and symbolic deco...

1070
Japanese Porcelain Chargers
Katana porcelain chargers, 12 inch with scene of figures, in wooded setting. 13 inch with panel decoration reverse rim scenes, florals geometric lines

1071
Satsuma Ware Vases
10 and 12 inch vases, elaborately decorated with enamel over glaze, traditional figures , florals, birds

1072
Pair Vintage Chinese Porcelain Vases
Yellow Chinese porcelain vases with Calla Lily decoration. Finely enameled and painted. 8 inches tall, long tapered neck.

1073
English Oak Longcase Clock
An English oak longcase clock, late 18th to early 19th century, the brass dial with chapter ring bearing Roman numerals and Arabic five-minute markers, signed "J Foster" to the center. The hood with molded cornice and turned corner columns above a ca...

1074
English Oak Longcase Clock
An English oak longcase clock, early 19th century, the arched painted dial decorated with floral spandrels and Roman numerals, incorporating subsidiary seconds and calendar apertures. The dial shows notable cracking, paint losses, and restorations co...

1075
Dutch Atlas Wall Clock
Dutch painted dial wall clock, late 18th to early 19th century, featuring a scenic harbor landscape with windmill, single-hand chapter ring, and gilt brass spandrels. The arched hood surmounted by three gilt Atlas figures, including a central figure ...

1076
American Mahogany Shelf Clock by Davis & Barber
American shelf clock housed in a mahogany case with turned columns and a painted iron dial with Roman numerals. The interior label reads "Improved Eight Day Brass Clocks, Manufactured and Sold by Davis & Farber, Greensboro, Geo." Eight-day brass move...

1077
Pillar & Scroll Shelf Clock Silas Hoadley
Early 19th C American shelf clock with scroll-top case surmounted by three brass finials, fitted with a painted metal dial with Roman numerals and floral decoration. Reverse paining on glass of Monticello. Eight-day weight-driven movement with pendul...

1078
Early Country French Long case Clock
Paint Early 19th, original paint Brass repousse dial surround and pendulum, Enamel dial, minuet and hour hands, decorative floral design, losses and wear consistent age, no glass on dial door, 92, tall 18 wide 9 deep

1079
Louis XV Cartel Walk Clock
Bronze Rococo Wall Clock with white enamel dial, Roman numerals, ornate design case with acanthus leaves, and florals. 18 x 9 inches.

1080
Anniversary Clock
German Anniversary Clock, In style of Gustav Becker, 400 day clock, with delicate torsion pendulum, designed to run 400 days on a single winding. Round dial, decorative finials and glass dome cover. With key a

1081
Antique Dutch Frisian Stoelklok
Early wall clock with polychrome decorated face flanked by mermaids, painted open work surround and crest, housed within carved wood case..not tested for functionality, paint loss and wear, some elements may not be present..case 26.5H x 13W x 10D inc...

1082
Don Craig Snake Jug
Alkaline Glazed Stoneware Jug, hand molded snake coiled around body with scaling, forked tongue and fangs. Signed and dated �07

1083
James Roddy Pottery Rooster
Rich brown alkaline glazed body, with blue ribs and mottled wings and tail. 13 inches tall, signed Roddy, Greer SC and dated 19971* pupil in one eye slipped during firing

1084
Southern Folk Art Snake Jug
My Bud..Snake Eye. Grotesque snake jug by WA Flowers. Big 10 inch jug, with snake coming from eye socket, with eye in his mouth.Runny green glaze, chip teeth, and pronounced handle. Signed on reverse as above

1085
Southern Folk Pottery Ring Jug
Hand crafted using traditional form for ring jug, with addition of hound dog treeing a raccoon. Glossy green runny glaze, 14 inches tall, with an applied base ring. Dated 2002. Faint mark..Marvin Bailey or Hodge

1086
Don Craig Folk Art Snake Jug
Southern pottery artist Don Craig, 1 gallon jug with smooth alkaline glazed body. Applied scaly snake with prominent fangs, forked tongue, button rattles. 12 inches tall, applied handle, signed in the body

1087
Don Craig Southern Pottery Face Jug
Smiling Moon Face Jug, rich alkaline glaze with prominent nose, full smiling mouth with China teeth. Painted blue eye. Signed and dated �98

1088
Southern Folk Art Face Jug
Don Craig sculpted face jug with prominent nose, shaped eyebrows, eyelashes and small ears. A whimsical female face jug, with China plate teeth. Script signed to base. 12 inches tall

1089
Billy Henson Face Jug
Southern Folk Pottery face jug, 15 inches tall, with seal ears, nose, open mouth with teeth. Goatee, and bushy brows. Artist Billy Henson, Lyman SC signed and dated 1996

1090
Stoneware Ring Snake Jug
Larg size ring jug, 16 inches with green glaze. Two opposing snakes, at shaped spout. Scaly brown and black with small glass eyes. Pedestal form base with incised lines.

1091
Southern Folk Pottery Face Jug
Caricature Face Jug, featuring over done wide mouth with double rows of teeth, pronounced nose, big ears, arched eyebrows and cobalt stone eyes, 13.5 inches tall, applied shaped handle. Alkaline glazed body. In style of Charlie Lisk, signed but not ...

1092
WA Flowers Pottery Devil Jug
North Carolina folk Art pottery by artist, WA Flowers 12 inches tall tall ugly Face Devil Jug. Alkaline Glazed stoneware, featuring wide bug eyes, big nose, open mouth with teeth, and prominent horns. Script signed on reverse body and dated 1999

1093
Crystal Sullivan Stoneware Bass Jug
Southern pottery Alkaline glazed jug, 13 inches tall, with realistic Bass Fish applied. Signed

1094
Don Craig Snake Jug
Alkaline glazed Stoneware Jug, 13 inches tall, with great scaly snake coiled around jug. Prominent fangs, forked tongue. Incised lines around neck band, signed in body, dated 1998

1095
Southern Folk Pottery Rooster
Don Craig artisan Proud Rooster, 14 inches tall. Detailed feather work in rusty orange with deep gloss green , red comb and yellow beak, signed on base. * chipped tail feather

1096
Don Craig Moon Face Jug
Southern Folk Pottery face jug, whimsical smiling Moon face with pronounced eyes, and nose. China chip teeth. 15 inches tall, well formed double handles, incised lines at neck. Signed and dated 98

1097
Don Craig Southern Pottery Mickey Mouse Jug
Stoneware Face Jug as Mickey Mouse! 12 inches tall, great facial features. Deep cobalt and alkaline glaze. Flat ears. Signed and dated 2001

1098
Southern Stoneware Snake Jug
Signed Don Craig artist made Tall ovoid form jug, 16 inches, with coiled rattlesnake to body. Glossy alkaline glaze with cobalt banding , well formed spout and handle. Scaly body with forked tongue. * broken fang

1099
Two Walter Fleming Face Jugs
9 inch swirl face jug with bug eyes, big lips and chip teeth. 10 inches tall swirl jug, with same facial features. Both with good color, both signed

1100
Billy Henson Folk Pottery Pitcher
Wood fired pottery pitcher, 12 inches tall, decoration of grapes and leaves to body. Signed and dated 1997. Henson, third generation potter from Lyman SC. ( 1942-2001)


Auction License: NCFL #9399
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January 5th 2026 Live

Broken Arch Auction Gallery

Broken Arch Auction Gallery


Contact: Travis Wilson
Phone: 828-713-2844
Sale Location
60 Monticello Rd
Weaverville, NC 28787
Sale Dates and Times
Monday Jan 5, 2026 Completed
Sale Terms and Conditions
Broken Arch Auction Gallery 60 Monticello Rd Weaverville, NC 28787 NCFL #9399 TERMS OF SALE 1. All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Broken Arch Auctions or by any seller represented by Broken Arch Auctions . 2. Bidding will begin at a price appropriate in auctioneer's discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. Employess of Broken Arch can bid at our auctions in the same manner as the public. The auctioneer can bid on behalf of the seller. 3. Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder's responsibility to get our attention prior to our saying sold. We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer's discretion. 4. Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. We reserve the right to not issue a buyer's number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashiers check. 5. Payment is expected at time of purchase. Payment for successful absentee, phone bids and online bids are required within five business days of the auction. Bidding on an item indicates the client?s acceptance of our Terms of Sale. 6. We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. All phone bids will open at $100 Broken Arch Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. 7. In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers.com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 100 lots per hour. 8. In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above. 9. Purchaser agrees that packing and shipping is done at the purchaser's risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will taken to the local UPS store or shipping venue of your choice. Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests. Broken Arch will have no liability for any loss or damage to shipped items. 10. Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our to avoid such a situation. 11. All purchases are subject to applicable North Carolina sales tax unless the North Carolina Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer's country. 12. Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Broken Arch Auction may seek all remedies under the law including canceling the sale and reoffering the property without reserve. 13. A buyer?s premium will be applied to the purchase price of all items: Buyer Premium are as follows 20%....Liveauctioneers with cash, check or wire transfer 23%....Liveauctioneers with MasterCard, Visa, Discover and American Express credit cards 14. Purchased items not picked up from our auction facility within 5 business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within 30 calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer's commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Broken Arch Auction. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you. 15. Export and Permits - It is the purchaser's sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalogue reflect Broken Arch Auction reasonable opinion at the time of cataloguing and are for bidders general guidance only; Broken Arch Auction and the Consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or any embargoes. 16. Due to the embargo on Persian carpets, international shipping is not available. 17. Broken Arch Auction makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, earth mined, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, cultured or natural pearls, fresh water, south sea, Tahitian pearls, and other materials used in jewelry, may be enhanced by a variety of treatments.Broken Arch Auction makes no warranties or guaranties that any clock or watch is in working order. 18. Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 24 hours in advance of the auction to allow for time to complete the approval process. We make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. First time participants bidding through any online platform will be limited to a maximum of $25,000 total in cumulative bids. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with Broken Arch Auctions through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. We will make every effort within reason to accept and process bids from online participants. Broken Arch Auction will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature. 19. Any items paid for but not picked up or scheduled for delivery 30 days from the sale date WILL BE SOLD FOR STORAGE.
Listing Details
The January 5 Auction brings together a carefully assembled group of works defined by material integrity, function, and longevity. Spanning fine and decorative arts, furniture, sculpture, and utilitarian objects, the sale reflects a shared emphasis on craftsmanship and enduring form rather than momentary fashion. From early paintings and sculptural works to vernacular furniture, silver, ceramics, and timepieces, each lot has been selected for the clarity of its making and the confidence of its presence. Many of these objects were created to be used as much as observed, bearing the marks of time not as flaws, but as evidence of purpose. Together, the works form a considered cross-section of objects shaped by hand, culture, and necessity?inviting collectors to acquire pieces that continue to function, resonate, and endure. NCFL#9399 info@brokenarchgallery.com 828-713-8869

1000
19th Century Painting of a Cow in Landscape
Oil on canvas, no visible signature, sight 18 x 27 in., gilt wood frame..canvas has been cut down and lined, yellowed varnish, crackle, paint loss, surface dirt, areas of repairs/repaints, taped margins, not examined out of frame..DOA: 24.5H x 33W x ...

1001
Farmers Tilling Their Field, Oil on Canvas
Late 9th/early 20th century, signed lower right, sight 8.5 x 11.5 in., gilt wood frame..surface dirt and grime, crackle, minor paint loss, not examined out of frame..DOA: 12H x 14.5W x 1.5D inches

1002
Golden Day, Richard Sigafous
American, 1908-1985..oil on Masonite, signed lower right, signed and titled in pencil on frame verso, sight 7 x 9�in., linen liner and period frame..surface dirt and grime, liner with staining and discoloration, not examined out of frame..DOA: 1...

1003
Antique Painting of The Mater Dolorosa
Late 18th/19th century, oil on canvas, laid over board, apparently unsigned, sight 9.5 x 7.5 in., parcel gilt frame..old varnish, surface grime, crackle, scattered abrasions, not examined out of frame..DOA: 15.5H x 12.5W x 2D inches

1004
Ancestral Portrait of a Lady
Mid 19th century, oil on canvas, unidentified sitter, apparently unsigned, unframed..surface dirt, abrasions and punctures to canvas, paint loss, stretched over newer frame..canvas 24H x 19W x 1D inches

1005
Dutch School Tavern Scene
18th/19th century, oil on canvas, apparently unsigned, sight 13.5 x 17.5 in, gilt liner and later frame..canvas laid over panel and appears to have been cleaned, surface dust, scattered abrasions, not examined out of frame..DOA: 22H x 26W x 1.5D inch...

1006
Old Master Style Portrait of a Gentleman
18th century, Dutch school, oil on panel, unidentified sitter, apparently unsigned, sight 16 x 11 in., later frame..yellowed varnish, surface abrasions, crack on panel lower right, not examined out of frame..DOA: 22H x 27W x 2D inches

1007
Tavern Scene with Rowdy Patron
18th/19th century, oil on panel, apparently unsigned, sight 12.5 x 10.5 in., gilt wood frame..yellowed varnish, crackle, vertical split to panel, surface dust, frame has age related wear and gold repaint, not examined out of frame..DOA: 18.5H x 16.5W...

1008
Spanish Landscape with Gnarled Tree
Mid to late 20th century, oil on canvas, no visible signature, sight 23H x 35W inches, parcel gilt frame..surface dust and grime, few scattered abrasions, frame with wear and loss, not examined out of frame..DOA: 31.5H x 44.5W x 2.5D inches

1009
Landscape at Sunset, J. M. Ducker
19th/20th century, oil on canvas, signed lower left, 19.5 x 29.5 in.,gilt wood frame..surface dirt, crackle/cupping, repairs and repaints to canvas, not examined out of frame..DOA: 23.5H x 33.5W x 2D inches

1010
Portrait of a Man Holding a Snuff Box
19th century, oil on canvas, apparently unsigned, sight 21 x 16 in., parcel gilt curly maple frame..canvas has been lined, cupping/crackle, surface dirt and grime, old varnish, bloom, frame with veneer wear and loss, not examined out of frame..DOA: 2...

1010
Interior Genre Scene, J. Turber
Late 19th/early 20th century, oil on panel, signed lower left, sight 5.5 x 3.5 in., gilt wood frame with nameplate, verso with Marshall Field & Company label..surface dirt and grime, old varnish, frame with Hancock, not examined out of frame..DOA: 10...

1011
Interior Concert Hall Scene, C. McCartney
20th century, oil on board, signed lower left, sight 16.5 x 22.5, matted and glazed in gilt wood frame..good estate condition overall, glass could use cleaning, not examined out of frame..DOA: 26H x 32W x 2D inches

1012
Mid 20th Century Portrait of an Elder
Lonely continental school, oil on canvas, signed upper left, sight 23 x 19 in., gilt gesso frame..light surface abrasions, crackle, surface dirt, scattered losses to frame, not examined out of frame..DOA: 29.5H x 25.5W x 25D inches

1013
The Quack, after Gerrit Dou
20th century, oil on canvas, signed lower right, sight 19 x 15 in., gold tone composition frame..surface dust, light abrasions, not examined out of frame..DOA: 26H x 22W x 3D inches Line Item # 12

1014
Pair of Judaica Portraits, Zjwicka Kuzmowicz
Polish, 20th century..oil on canvas, both are signed, sights 23.5 x 19.5 in., in matching parcel gilt and ebonized frames..surface dust, light abrasions, frames with wear and in need of cleaning, not examined out of frames..each frame 30H x 26W x 3D ...

1015
Coastal Landscape with Boat
Late 19th/early 20th century, oil on canvas over panel, apparently unsigned, sight 11 x 8.5 in., gilt composition frame..surface dirt, crackle, light abrasions, paint loss, not examined out of frame..DOA: 15.5H x 13.5W x 2D inches Line Item # 11

1016
Landscape with Traveler on Path
Late 19th/early 20th century, oil on panel, apparently unsigned, sight 5 x 7 in., gilt wood frame..surface dust, light abrasions, repaints to frame, not examined out of frame..DOA: 9.5H x 11.5W x 1.5D inches Line Item # 9

1017
Pastoral Landscape with Cows and Haystacks
Late 19th/early 20th century, apparently unsigned, sight 7 x 10 in., gilt wood frame..surface dust, light abrasions, crackle, frame with age related wear, not examined out of frame..DOA: 11.5H x 14.5W x 1.5D inches Line Item # 17

1018
Gull Resting, Francis E. Hamabe
Maine, 1917-2002..Serigraph on paper, pencil titled lower left, signed and dated 1959 lower right, sight 10 x 13.5 in., matted and glazed in blue frame..toning and mat burn to paper, toning to mat, frame with light paint loss, not examined out of fra...

1019
Framed Marguerite Kirmse Etching
American 1885-1954)..etching on paper, signed and titled in pencil along lower margin, sight 7 x 13 in., matted and glazed in simple black frame..toning, light foxing, waviness to paper, not examined out of frame..DOA: 14.5H x 19.5W x 0.5D inches Lin...

1020
Snowy Owl, Stow Wengenroth
American, 1906-1978..lithograph on paper, pencil signed lower right, Ed/60 lower left, sight 10.5 x 16.5 in., matted and glazed in gilt frame..toning and mat burn to paper, toning to mat, not examined out of frame..DOA: 18H x 23W x 1D inches Line Ite...

1021
Great Horned Owl, Stow Wengenroth
American, 1906-1978..lithograph on paper, pencil signed lower right, Ed/50 lower left, sight 16 x 12 in., matted and glazed in wooden frame..toning and mat burn to paper, toning to mat, not examined out of frame..DOA: 23H x 19W x 1D inches Line Item ...

1022
A German Town Hall Architectural Perspective
Pen and ink wash rendering of a town hall, titled in German, pencil signed Philip Slein 1904 lower right, sight 26.5 x 22 in., matted and glazed in gilt wood and gesso frame..toning and light foxing throughout, minor water stains, age related wear an...


1024
Assorted Downy Ducklings, Allan Brooks
Canada, 1869-1945..watercolor on paper, signed lower left, sight 14 x 10 in., with scientific names at bottom and noted as about 2 days old, verso with Sporting Gallery and Bookshop label, noted as Plate No. 62 from Phillips Natural History of Ducks,...

1025
Pen and Ink Wash Study of Woman and Child
Note on verso attributed work to Samuel Shelley (1750-1808)..on laid paper, sight 7.5 x 5.5 in., paper verso visible with additional sketches, modern frame..toning and foxing to paper, not examined out of frame..DOA: 14.5H x 12.5W x 1.5D inches

1026
Framed George Howell Gay Seascape
American, 1858-1931..appears to be a period print heightened with watercolor and gouache accents, signed lower right, sight 11 x 25 in., double matted and glazed, gilt. Imposition frame..toning, light foxing, not examined out of frame..DOA: 22H x 36W...

1027
Landscape with Cattle and Mountains
Late 19th/early 20th century, watercolor on paper, apparently unsigned, sight 20 x 36 in., glazed in gilt wood frame..toning, foxing, water damage, holes to paper, laid over canvas, frame with loss and wear..DOA: 24H x 40W x 2D inches

1028
Draft Horse and Figures, Henry William Standing
British, act.1894-1931..watercolor and gouache on paper, signed and dated 1908 lower right, sight 14 x 20 inches.,French mat, oak frame..missing glass, holes and abrasions to paper, toning, not examined out of frame..DOA: 24H x 30W x 1D inches

1029
Masks of Venice, W. C. Nelson
Mid to late 20th century, watercolor on paper with gouache, ink, and gold leaf accents, signed in red lower right, sight 22 x 22 in., double matted and glazed, gilt composition frame..good condition overall, light toning, not examined out of frame..D...

1030
What - No Bananas, W. C. Nelson
Mid to late 20th century, mixed media watercolor with gouache, ink, and gold leaf, signed lower right, titled on verso, sight 21 x 21 in., double matted and glazed, gilt composition frame..good condition overall lightning, not examined out of frame.....

1031
Chinese Empress Portrait, Qing Dynasty Style
Large traditional Chinese Empress portrait on watercolor on silk, depicting a seated elder in formal court attire with embroidered rank badge and beaded headdress. Executed in the Qing dynasty style, with rich mineral pigments and fine detailing, som...

1032
Willie Massey Folk Art Airplane
Well known African American Folk Artist Willie Massey ( 1906-1990), Bowling Green KY, has created this 21 inch tall fruit crate airplane on stand. Using found materials, his art is one of a kind and each piece unique. Signed and dated 1995

1033
Willie Massey Folk Art
Hand Crafted from found materials, Folk Artist Willie Massey created this whimsical 13 inch wheelbarrow with garden tools.Created from plywood, tin bottle caps, and tape, Massey from Ky learned to make art from practical items. Unsigned but with attr...

1034
Early Needlepoint Sampler
Early 19th C Childs sampler, spiritual verse, school house, figures, animas and triditional design's, Jane Bycroft age 10, significant wear, strong colors, 15.25 x 15.5

1035
Carved Marble Inuit Panel
Carved stone relief depicting a continuous procession of figures rendered in low relief, each clad in heavy garments, Signed David Bennett,

1036
Sand Dunes, Melody Andy Napaltjarri
Pupunya Surroundings, b. 1967..acrylic on unstretched Belgian linen, signed and titled on verso, with COA from Australiart, canvas 28.5H x 38.5W inches

1037
Yam Leaves, Mary Rumble Petyarre
Utopia (Eastern Desert), b. 1957...acrylic on unstretched Belgian linen, inscribed on verso..creasing to canvas edges, stored hanging..canvas 27.5H x 38W inches

1038
Watiya Tjuta (The Trees), Mitjili Nupurrula
Haasts Bluff, 1945-2019..acrylic on unstretched Belgian linen, unframed, signed on verso, with COA..light surface abrasions, water stains and waviness to linen..canvas 27.25 x 26.5W inches

1039
Tali Sand Hills, Lily Kelly Napangardi
Haasts Bluff, b. 1948..acrylic on unstretched Belgian linen, signed on verso, with COA..some surface dirt on canvas, creasing at edges..canvas 29.25H x 38.75W inches

1040
Bush Yam, Janet Golder Kngwarrye
Utopia, b. 1973..acrylic on unstretched Belgian linen, signed on verso, with COA..light rippling to canvas, scattered overpaint..canvas 28.5H x 37.5W inches

1041
Bush Plum (Alkwe), Aileen Mbitjana
Utopian Station, b. 1940..acrylic on unstretched Belgian linen, signed and titled on verso, with COA..some overpaint, dis coloration to edges of canvas..canvas 27.5H x 38.5W inches

1042
Womens Ceremony, Narpula Scobie Napurrula
Haasts Bluff, b. 1950..acrylic on unstretched Belgian linen, signed on verso, with COA..light creasing and rippling to canvas, light surface dirt..canvas 27H x 37.75W inches

1043
Bush Leaves, Annie Napangardi Nelson
Ti Tree Community, b. 1968..acrylic on unstretched Belgian Linen, signed and titled on verso, with COA..light creases to edges, rippling..canvas 27.5H x 37.5W inches

1044
Hail Dreaming, Lilly Kelly Napangardi
Haasts Bluff, b. 1948..acrylic on unstretched Belgian linen, inventory number on verso, with COA..light surface abrasions, rippling, stiff edges, stored hanging..canvas 50.5H x 28.5W inches

1045
Tree Roots, Lynette Corby
Haasts Bluff, b. 1958..acrylic on unstretched Belgian linen, January 2010, inventory info on verso, with COA..light surface abrasions, jagged cut edges, stored hanging..canvas 51H x 33.5W inches

1046
Medicine Leaves, Jeannie Pitjara Petyarre
Utopia, 1951-2022..acrylic on unstretched Belgian linen, inscribed Jeannie on verso, with COA..surface dirt at edges, light abrasions, stored hanging..canvas 28.5H x 38.5W inches

1047
Medicine Leaves, Mary Rumble Petyarre
Utopia (Eastern desert), b. 1957..acrylic on u stretched Belgian linen, inscribed on verso, with COA..light creasing and discoloration at edges, stored hanging..canvas 29H x 38W inches

1048
Rock Holes-Tjin Tjin, Katherine Marshall Nakamarra
Papunya, b. 1968..acrylic on unstretched Belgian linen, inscribed on verso with artist name and inventory number, with COA..light creasing at edges..canvas 27.25H x 37.25W inches

1049
Blue Tongue Lizard, Debra Nangala Mcdonald
Pupunya Camp, b. 1969..acrylic on unstretched Belgian linen, inscribed and titled on verso, with COA..creasing to edges, stored hanging..canvas 27H x 38W inches

1050
My Country, Mary Rumble Petyarre
Utopia (Eastern Desert), b. 1957..acrylic on unstretched linen, inscribed on verso, with COA..creased edges, surface discoloration, stored hanging..canvas 28.5H x 39W inches

1051
Medicine Leaves, Rosemary Pitjara
Utopia, b. 1945..acrylic on unstretched belgian linen, inscribed on verso, with COA..creasing at edges, areas of overpaint, stored hanging..canvas 28.5H x 38.5W inches

1052
Late 19th Century Portrait of a Child
Oil on panel, no visible signature, sight 8 x 7 in., under glass, gilt wood and gesso frame..surface dirt, crackle, age related wear to frame, not examined out of frame..DOA: 13H x 12W x 3D inches

1053
Wandering Musicians, After Christian Dietrich
late 19th century, Oil on canvas after original painting by Christian Wilhelm Ernst Dietrich, no visible signature, sight 7 x 6 in., gold painted frame..surface dirt and grime, crackle, light paint loss, not examined out of frame..DOA: 13.5H x 12.5W ...

1054
Portrait of a Man, C. F. Madsen
German, 20th century, oil on panel, signed lower left, sight 6.5 x 5.5 in., gilt wood frame with name plate..surface dirt, crackle, frame with spotting, not examined out of frame..DOA: 10H x 9W x 1.5D inches

1055
Still Life with Grapes and Stone Fruit
Late 19th/early 20th century, oil on panel, signed lower left, sight 9 x 7 in., gilt composition frame..surface dirt, crackle, yellowed varnish, age cracks and repairs to frame, not examined out of frame..DOA: 18H x 16W x 3D inches

1056
Still Life with Copper Pots and Pans, Dutch School
Oil on canvas, laid over cradled panel, apparently ubsigned, sight 10 x 7.5 in, frame plaque attributes work 16th century but likely later, gilt wood and gesso frame..surface dirt and grime, old varnish, surface abrasions and paint loss, frame with ...

1057
Dutch Style Village Landscape, Bondar
20th century, oil on panel, partially visible signature lower left, sight 15.5 x 11.5 in., gilt composition frame..surface dust, light surface abrasions, frame with damage at top left corner not examined out of frame..DOA: 23H x 19W x 2.5D inches

1058
The Laborers Respite, after George Morland
20th century oil on panel after original work by Morland (British, 1763-1804), sight 26 x 17 in., gilt gesso frame..surface dirt and abrasions, paint loss, frame with damage at top left, it examined out of frame..DOA: 34H x 25W x 3D inches

1059
Madonna and Child with Young John the Baptist
19th century, oil on panel, similar in style to Madonna of the Magnificat by Sandro Botticelli, carved gilt wood frame..age related wear to paint surface, cracks to panel, surface dirt, age related wear and loss to frame *frame is heavy*..DOA: 40H x ...

1060
Still Life with Fruit, Vegetables and Bird of Prey
19th century, oil on canvas mounted on panel, apparently unsigned, sight 25.5 x 28.5 in., gilt wood frame..damage and loss to original canvas, creases and bubbling, surface grime, paint loss, not examined out of frame..DOA: 29.5H x 32.5W x 1.5D inche...

1061
Oil on Painting David Hunter McCalpin
David Hunter McAlpin (1816�1901) was a prominent industrialist and real estate owner in New York City.19th C oil on canvas, minor blemishes, gold tone frame 26 1/2 x 32 1/2

1062
Pair Asian Enameled Porcelain Plaques
20th century, featuring cranes and a song bird, enameled and inscribed, coordinating frames..surface dirt and grime, frames with fading and sun damage, not examined out of frames..each frame 23.5H x 15.5W x 1D inches

1063
Large Famille Porcelain Charger
16 inch Famille Rose chargers, six panel surround with birds, butterfly designs. Gilt trim

1064
Bronze Bust of a Young Woman
Attributed to Nguyen Thanh Le (Vietnamese, 1919-2006)..patinanted bronze bust on black wooden base, signed on the back of the neck, light surface wear, rubbing to base..13.5H x 6.5W x 5.5D inches

1065
Large Chinese Blue & White Floor Vase
Tall Chinese porcelain floor vase with flared rim, decorated in underglaze blue with continuous landscape scenes and calligraphic script. Finished with an intentional crackle glaze throughout. Bearing a square cartouche mark to the base. 20th century...

1066
Blue & White Chinese Floor Vase
Tall Chinese porcelain floor vase with flared rim, decorated in underglaze blue with painted landscape scenes and calligraphic inscription. Bearing a square cartouche to the base. Surface wear and kiln-related imperfections consistent with manufactur...

1067
Bronze Guanyin Or Bodhisattva
Thousand Hands and Eyes figure signifies boundless compassion, and protection for followers. Seated in meditation pose on a lotus base. Large 22 inch tall piece.

1068
Pair of Monumental Chinese Dragon Floor Vases
Pair of tall Chinese porcelain floor vases, each decorated in underglaze blue with sinuous dragons amid waves and clouds, heightened with iron-red accents. Flared trumpet rims with painted Chinese characters near the necks; square blue marks to the b...

1069
Vintage Terracotta Warrior
Cast composite terracotta figure modeled after ancient Chinese scholar-official and military representations, inspired by Qin Shu Huang terracotta army terracotta forms. The standing figure wears a formal robe with incised geometric and symbolic deco...

1070
Japanese Porcelain Chargers
Katana porcelain chargers, 12 inch with scene of figures, in wooded setting. 13 inch with panel decoration reverse rim scenes, florals geometric lines

1071
Satsuma Ware Vases
10 and 12 inch vases, elaborately decorated with enamel over glaze, traditional figures , florals, birds

1072
Pair Vintage Chinese Porcelain Vases
Yellow Chinese porcelain vases with Calla Lily decoration. Finely enameled and painted. 8 inches tall, long tapered neck.

1073
English Oak Longcase Clock
An English oak longcase clock, late 18th to early 19th century, the brass dial with chapter ring bearing Roman numerals and Arabic five-minute markers, signed "J Foster" to the center. The hood with molded cornice and turned corner columns above a ca...

1074
English Oak Longcase Clock
An English oak longcase clock, early 19th century, the arched painted dial decorated with floral spandrels and Roman numerals, incorporating subsidiary seconds and calendar apertures. The dial shows notable cracking, paint losses, and restorations co...

1075
Dutch Atlas Wall Clock
Dutch painted dial wall clock, late 18th to early 19th century, featuring a scenic harbor landscape with windmill, single-hand chapter ring, and gilt brass spandrels. The arched hood surmounted by three gilt Atlas figures, including a central figure ...

1076
American Mahogany Shelf Clock by Davis & Barber
American shelf clock housed in a mahogany case with turned columns and a painted iron dial with Roman numerals. The interior label reads "Improved Eight Day Brass Clocks, Manufactured and Sold by Davis & Farber, Greensboro, Geo." Eight-day brass move...

1077
Pillar & Scroll Shelf Clock Silas Hoadley
Early 19th C American shelf clock with scroll-top case surmounted by three brass finials, fitted with a painted metal dial with Roman numerals and floral decoration. Reverse paining on glass of Monticello. Eight-day weight-driven movement with pendul...

1078
Early Country French Long case Clock
Paint Early 19th, original paint Brass repousse dial surround and pendulum, Enamel dial, minuet and hour hands, decorative floral design, losses and wear consistent age, no glass on dial door, 92, tall 18 wide 9 deep

1079
Louis XV Cartel Walk Clock
Bronze Rococo Wall Clock with white enamel dial, Roman numerals, ornate design case with acanthus leaves, and florals. 18 x 9 inches.

1080
Anniversary Clock
German Anniversary Clock, In style of Gustav Becker, 400 day clock, with delicate torsion pendulum, designed to run 400 days on a single winding. Round dial, decorative finials and glass dome cover. With key a

1081
Antique Dutch Frisian Stoelklok
Early wall clock with polychrome decorated face flanked by mermaids, painted open work surround and crest, housed within carved wood case..not tested for functionality, paint loss and wear, some elements may not be present..case 26.5H x 13W x 10D inc...

1082
Don Craig Snake Jug
Alkaline Glazed Stoneware Jug, hand molded snake coiled around body with scaling, forked tongue and fangs. Signed and dated �07

1083
James Roddy Pottery Rooster
Rich brown alkaline glazed body, with blue ribs and mottled wings and tail. 13 inches tall, signed Roddy, Greer SC and dated 19971* pupil in one eye slipped during firing

1084
Southern Folk Art Snake Jug
My Bud..Snake Eye. Grotesque snake jug by WA Flowers. Big 10 inch jug, with snake coming from eye socket, with eye in his mouth.Runny green glaze, chip teeth, and pronounced handle. Signed on reverse as above

1085
Southern Folk Pottery Ring Jug
Hand crafted using traditional form for ring jug, with addition of hound dog treeing a raccoon. Glossy green runny glaze, 14 inches tall, with an applied base ring. Dated 2002. Faint mark..Marvin Bailey or Hodge

1086
Don Craig Folk Art Snake Jug
Southern pottery artist Don Craig, 1 gallon jug with smooth alkaline glazed body. Applied scaly snake with prominent fangs, forked tongue, button rattles. 12 inches tall, applied handle, signed in the body

1087
Don Craig Southern Pottery Face Jug
Smiling Moon Face Jug, rich alkaline glaze with prominent nose, full smiling mouth with China teeth. Painted blue eye. Signed and dated �98

1088
Southern Folk Art Face Jug
Don Craig sculpted face jug with prominent nose, shaped eyebrows, eyelashes and small ears. A whimsical female face jug, with China plate teeth. Script signed to base. 12 inches tall

1089
Billy Henson Face Jug
Southern Folk Pottery face jug, 15 inches tall, with seal ears, nose, open mouth with teeth. Goatee, and bushy brows. Artist Billy Henson, Lyman SC signed and dated 1996

1090
Stoneware Ring Snake Jug
Larg size ring jug, 16 inches with green glaze. Two opposing snakes, at shaped spout. Scaly brown and black with small glass eyes. Pedestal form base with incised lines.

1091
Southern Folk Pottery Face Jug
Caricature Face Jug, featuring over done wide mouth with double rows of teeth, pronounced nose, big ears, arched eyebrows and cobalt stone eyes, 13.5 inches tall, applied shaped handle. Alkaline glazed body. In style of Charlie Lisk, signed but not ...

1092
WA Flowers Pottery Devil Jug
North Carolina folk Art pottery by artist, WA Flowers 12 inches tall tall ugly Face Devil Jug. Alkaline Glazed stoneware, featuring wide bug eyes, big nose, open mouth with teeth, and prominent horns. Script signed on reverse body and dated 1999

1093
Crystal Sullivan Stoneware Bass Jug
Southern pottery Alkaline glazed jug, 13 inches tall, with realistic Bass Fish applied. Signed

1094
Don Craig Snake Jug
Alkaline glazed Stoneware Jug, 13 inches tall, with great scaly snake coiled around jug. Prominent fangs, forked tongue. Incised lines around neck band, signed in body, dated 1998

1095
Southern Folk Pottery Rooster
Don Craig artisan Proud Rooster, 14 inches tall. Detailed feather work in rusty orange with deep gloss green , red comb and yellow beak, signed on base. * chipped tail feather

1096
Don Craig Moon Face Jug
Southern Folk Pottery face jug, whimsical smiling Moon face with pronounced eyes, and nose. China chip teeth. 15 inches tall, well formed double handles, incised lines at neck. Signed and dated 98

1097
Don Craig Southern Pottery Mickey Mouse Jug
Stoneware Face Jug as Mickey Mouse! 12 inches tall, great facial features. Deep cobalt and alkaline glaze. Flat ears. Signed and dated 2001

1098
Southern Stoneware Snake Jug
Signed Don Craig artist made Tall ovoid form jug, 16 inches, with coiled rattlesnake to body. Glossy alkaline glaze with cobalt banding , well formed spout and handle. Scaly body with forked tongue. * broken fang

1099
Two Walter Fleming Face Jugs
9 inch swirl face jug with bug eyes, big lips and chip teeth. 10 inches tall swirl jug, with same facial features. Both with good color, both signed

1100
Billy Henson Folk Pottery Pitcher
Wood fired pottery pitcher, 12 inches tall, decoration of grapes and leaves to body. Signed and dated 1997. Henson, third generation potter from Lyman SC. ( 1942-2001)

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January 5th 2026 Live
 Live Auction
Sale Date(s)
Monday Jan 5, 2026 Completed
Sale Location

Weaverville, NC 28787
Company
Listing Terms and Conditions
Broken Arch Auction Gallery 60 Monticello Rd Weaverville, NC 28787 NCFL #9399 TERMS OF SALE 1. All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Broken Arch Auctions or by any seller represented by Broken Arch Auctions . 2. Bidding will begin at a price appropriate in auctioneer's discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. Employess of Broken Arch can bid at our auctions in the same manner as the public. The auctioneer can bid on behalf of the seller. 3. Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder's responsibility to get our attention prior to our saying sold. We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer's discretion. 4. Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. We reserve the right to not issue a buyer's number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashiers check. 5. Payment is expected at time of purchase. Payment for successful absentee, phone bids and online bids are required within five business days of the auction. Bidding on an item indicates the client?s acceptance of our Terms of Sale. 6. We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. All phone bids will open at $100 Broken Arch Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. 7. In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers.com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 100 lots per hour. 8. In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above. 9. Purchaser agrees that packing and shipping is done at the purchaser's risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will taken to the local UPS store or shipping venue of your choice. Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests. Broken Arch will have no liability for any loss or damage to shipped items. 10. Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our to avoid such a situation. 11. All purchases are subject to applicable North Carolina sales tax unless the North Carolina Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer's country. 12. Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Broken Arch Auction may seek all remedies under the law including canceling the sale and reoffering the property without reserve. 13. A buyer?s premium will be applied to the purchase price of all items: Buyer Premium are as follows 20%....Liveauctioneers with cash, check or wire transfer 23%....Liveauctioneers with MasterCard, Visa, Discover and American Express credit cards 14. Purchased items not picked up from our auction facility within 5 business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within 30 calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer's commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Broken Arch Auction. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you. 15. Export and Permits - It is the purchaser's sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalogue reflect Broken Arch Auction reasonable opinion at the time of cataloguing and are for bidders general guidance only; Broken Arch Auction and the Consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or any embargoes. 16. Due to the embargo on Persian carpets, international shipping is not available. 17. Broken Arch Auction makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, earth mined, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, cultured or natural pearls, fresh water, south sea, Tahitian pearls, and other materials used in jewelry, may be enhanced by a variety of treatments.Broken Arch Auction makes no warranties or guaranties that any clock or watch is in working order. 18. Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 24 hours in advance of the auction to allow for time to complete the approval process. We make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. First time participants bidding through any online platform will be limited to a maximum of $25,000 total in cumulative bids. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with Broken Arch Auctions through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. We will make every effort within reason to accept and process bids from online participants. Broken Arch Auction will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature. 19. Any items paid for but not picked up or scheduled for delivery 30 days from the sale date WILL BE SOLD FOR STORAGE.
The January 5 Auction brings together a carefully assembled group of works defined by material integrity, function, and longevity. Spanning fine and decorative arts, furniture, sculpture, and utilitarian objects, the sale reflects a shared emphasis on craftsmanship and enduring form rather than momentary fashion. From early paintings and sculptural works to vernacular furniture, silver, ceramics, and timepieces, each lot has been selected for the clarity of its making and the confidence of its presence. Many of these objects were created to be used as much as observed, bearing the marks of time not as flaws, but as evidence of purpose. Together, the works form a considered cross-section of objects shaped by hand, culture, and necessity?inviting collectors to acquire pieces that continue to function, resonate, and endure. NCFL#9399 info@brokenarchgallery.com 828-713-8869

1000
19th Century Painting of a Cow in Landscape
Oil on canvas, no visible signature, sight 18 x 27 in., gilt wood frame..canvas has been cut down and lined, yellowed varnish, crackle, paint loss, surface dirt, areas of repairs/repaints, taped margins, not examined out of frame..DOA: 24.5H x 33W x ...

1001
Farmers Tilling Their Field, Oil on Canvas
Late 9th/early 20th century, signed lower right, sight 8.5 x 11.5 in., gilt wood frame..surface dirt and grime, crackle, minor paint loss, not examined out of frame..DOA: 12H x 14.5W x 1.5D inches

1002
Golden Day, Richard Sigafous
American, 1908-1985..oil on Masonite, signed lower right, signed and titled in pencil on frame verso, sight 7 x 9�in., linen liner and period frame..surface dirt and grime, liner with staining and discoloration, not examined out of frame..DOA: 1...

1003
Antique Painting of The Mater Dolorosa
Late 18th/19th century, oil on canvas, laid over board, apparently unsigned, sight 9.5 x 7.5 in., parcel gilt frame..old varnish, surface grime, crackle, scattered abrasions, not examined out of frame..DOA: 15.5H x 12.5W x 2D inches

1004
Ancestral Portrait of a Lady
Mid 19th century, oil on canvas, unidentified sitter, apparently unsigned, unframed..surface dirt, abrasions and punctures to canvas, paint loss, stretched over newer frame..canvas 24H x 19W x 1D inches

1005
Dutch School Tavern Scene
18th/19th century, oil on canvas, apparently unsigned, sight 13.5 x 17.5 in, gilt liner and later frame..canvas laid over panel and appears to have been cleaned, surface dust, scattered abrasions, not examined out of frame..DOA: 22H x 26W x 1.5D inch...

1006
Old Master Style Portrait of a Gentleman
18th century, Dutch school, oil on panel, unidentified sitter, apparently unsigned, sight 16 x 11 in., later frame..yellowed varnish, surface abrasions, crack on panel lower right, not examined out of frame..DOA: 22H x 27W x 2D inches

1007
Tavern Scene with Rowdy Patron
18th/19th century, oil on panel, apparently unsigned, sight 12.5 x 10.5 in., gilt wood frame..yellowed varnish, crackle, vertical split to panel, surface dust, frame has age related wear and gold repaint, not examined out of frame..DOA: 18.5H x 16.5W...

1008
Spanish Landscape with Gnarled Tree
Mid to late 20th century, oil on canvas, no visible signature, sight 23H x 35W inches, parcel gilt frame..surface dust and grime, few scattered abrasions, frame with wear and loss, not examined out of frame..DOA: 31.5H x 44.5W x 2.5D inches

1009
Landscape at Sunset, J. M. Ducker
19th/20th century, oil on canvas, signed lower left, 19.5 x 29.5 in.,gilt wood frame..surface dirt, crackle/cupping, repairs and repaints to canvas, not examined out of frame..DOA: 23.5H x 33.5W x 2D inches

1010
Portrait of a Man Holding a Snuff Box
19th century, oil on canvas, apparently unsigned, sight 21 x 16 in., parcel gilt curly maple frame..canvas has been lined, cupping/crackle, surface dirt and grime, old varnish, bloom, frame with veneer wear and loss, not examined out of frame..DOA: 2...

1010
Interior Genre Scene, J. Turber
Late 19th/early 20th century, oil on panel, signed lower left, sight 5.5 x 3.5 in., gilt wood frame with nameplate, verso with Marshall Field & Company label..surface dirt and grime, old varnish, frame with Hancock, not examined out of frame..DOA: 10...

1011
Interior Concert Hall Scene, C. McCartney
20th century, oil on board, signed lower left, sight 16.5 x 22.5, matted and glazed in gilt wood frame..good estate condition overall, glass could use cleaning, not examined out of frame..DOA: 26H x 32W x 2D inches

1012
Mid 20th Century Portrait of an Elder
Lonely continental school, oil on canvas, signed upper left, sight 23 x 19 in., gilt gesso frame..light surface abrasions, crackle, surface dirt, scattered losses to frame, not examined out of frame..DOA: 29.5H x 25.5W x 25D inches

1013
The Quack, after Gerrit Dou
20th century, oil on canvas, signed lower right, sight 19 x 15 in., gold tone composition frame..surface dust, light abrasions, not examined out of frame..DOA: 26H x 22W x 3D inches Line Item # 12

1014
Pair of Judaica Portraits, Zjwicka Kuzmowicz
Polish, 20th century..oil on canvas, both are signed, sights 23.5 x 19.5 in., in matching parcel gilt and ebonized frames..surface dust, light abrasions, frames with wear and in need of cleaning, not examined out of frames..each frame 30H x 26W x 3D ...

1015
Coastal Landscape with Boat
Late 19th/early 20th century, oil on canvas over panel, apparently unsigned, sight 11 x 8.5 in., gilt composition frame..surface dirt, crackle, light abrasions, paint loss, not examined out of frame..DOA: 15.5H x 13.5W x 2D inches Line Item # 11

1016
Landscape with Traveler on Path
Late 19th/early 20th century, oil on panel, apparently unsigned, sight 5 x 7 in., gilt wood frame..surface dust, light abrasions, repaints to frame, not examined out of frame..DOA: 9.5H x 11.5W x 1.5D inches Line Item # 9

1017
Pastoral Landscape with Cows and Haystacks
Late 19th/early 20th century, apparently unsigned, sight 7 x 10 in., gilt wood frame..surface dust, light abrasions, crackle, frame with age related wear, not examined out of frame..DOA: 11.5H x 14.5W x 1.5D inches Line Item # 17

1018
Gull Resting, Francis E. Hamabe
Maine, 1917-2002..Serigraph on paper, pencil titled lower left, signed and dated 1959 lower right, sight 10 x 13.5 in., matted and glazed in blue frame..toning and mat burn to paper, toning to mat, frame with light paint loss, not examined out of fra...

1019
Framed Marguerite Kirmse Etching
American 1885-1954)..etching on paper, signed and titled in pencil along lower margin, sight 7 x 13 in., matted and glazed in simple black frame..toning, light foxing, waviness to paper, not examined out of frame..DOA: 14.5H x 19.5W x 0.5D inches Lin...

1020
Snowy Owl, Stow Wengenroth
American, 1906-1978..lithograph on paper, pencil signed lower right, Ed/60 lower left, sight 10.5 x 16.5 in., matted and glazed in gilt frame..toning and mat burn to paper, toning to mat, not examined out of frame..DOA: 18H x 23W x 1D inches Line Ite...

1021
Great Horned Owl, Stow Wengenroth
American, 1906-1978..lithograph on paper, pencil signed lower right, Ed/50 lower left, sight 16 x 12 in., matted and glazed in wooden frame..toning and mat burn to paper, toning to mat, not examined out of frame..DOA: 23H x 19W x 1D inches Line Item ...

1022
A German Town Hall Architectural Perspective
Pen and ink wash rendering of a town hall, titled in German, pencil signed Philip Slein 1904 lower right, sight 26.5 x 22 in., matted and glazed in gilt wood and gesso frame..toning and light foxing throughout, minor water stains, age related wear an...

1023

1024
Assorted Downy Ducklings, Allan Brooks
Canada, 1869-1945..watercolor on paper, signed lower left, sight 14 x 10 in., with scientific names at bottom and noted as about 2 days old, verso with Sporting Gallery and Bookshop label, noted as Plate No. 62 from Phillips Natural History of Ducks,...

1025
Pen and Ink Wash Study of Woman and Child
Note on verso attributed work to Samuel Shelley (1750-1808)..on laid paper, sight 7.5 x 5.5 in., paper verso visible with additional sketches, modern frame..toning and foxing to paper, not examined out of frame..DOA: 14.5H x 12.5W x 1.5D inches

1026
Framed George Howell Gay Seascape
American, 1858-1931..appears to be a period print heightened with watercolor and gouache accents, signed lower right, sight 11 x 25 in., double matted and glazed, gilt. Imposition frame..toning, light foxing, not examined out of frame..DOA: 22H x 36W...

1027
Landscape with Cattle and Mountains
Late 19th/early 20th century, watercolor on paper, apparently unsigned, sight 20 x 36 in., glazed in gilt wood frame..toning, foxing, water damage, holes to paper, laid over canvas, frame with loss and wear..DOA: 24H x 40W x 2D inches

1028
Draft Horse and Figures, Henry William Standing
British, act.1894-1931..watercolor and gouache on paper, signed and dated 1908 lower right, sight 14 x 20 inches.,French mat, oak frame..missing glass, holes and abrasions to paper, toning, not examined out of frame..DOA: 24H x 30W x 1D inches

1029
Masks of Venice, W. C. Nelson
Mid to late 20th century, watercolor on paper with gouache, ink, and gold leaf accents, signed in red lower right, sight 22 x 22 in., double matted and glazed, gilt composition frame..good condition overall, light toning, not examined out of frame..D...

1030
What - No Bananas, W. C. Nelson
Mid to late 20th century, mixed media watercolor with gouache, ink, and gold leaf, signed lower right, titled on verso, sight 21 x 21 in., double matted and glazed, gilt composition frame..good condition overall lightning, not examined out of frame.....

1031
Chinese Empress Portrait, Qing Dynasty Style
Large traditional Chinese Empress portrait on watercolor on silk, depicting a seated elder in formal court attire with embroidered rank badge and beaded headdress. Executed in the Qing dynasty style, with rich mineral pigments and fine detailing, som...

1032
Willie Massey Folk Art Airplane
Well known African American Folk Artist Willie Massey ( 1906-1990), Bowling Green KY, has created this 21 inch tall fruit crate airplane on stand. Using found materials, his art is one of a kind and each piece unique. Signed and dated 1995

1033
Willie Massey Folk Art
Hand Crafted from found materials, Folk Artist Willie Massey created this whimsical 13 inch wheelbarrow with garden tools.Created from plywood, tin bottle caps, and tape, Massey from Ky learned to make art from practical items. Unsigned but with attr...

1034
Early Needlepoint Sampler
Early 19th C Childs sampler, spiritual verse, school house, figures, animas and triditional design's, Jane Bycroft age 10, significant wear, strong colors, 15.25 x 15.5

1035
Carved Marble Inuit Panel
Carved stone relief depicting a continuous procession of figures rendered in low relief, each clad in heavy garments, Signed David Bennett,

1036
Sand Dunes, Melody Andy Napaltjarri
Pupunya Surroundings, b. 1967..acrylic on unstretched Belgian linen, signed and titled on verso, with COA from Australiart, canvas 28.5H x 38.5W inches

1037
Yam Leaves, Mary Rumble Petyarre
Utopia (Eastern Desert), b. 1957...acrylic on unstretched Belgian linen, inscribed on verso..creasing to canvas edges, stored hanging..canvas 27.5H x 38W inches

1038
Watiya Tjuta (The Trees), Mitjili Nupurrula
Haasts Bluff, 1945-2019..acrylic on unstretched Belgian linen, unframed, signed on verso, with COA..light surface abrasions, water stains and waviness to linen..canvas 27.25 x 26.5W inches

1039
Tali Sand Hills, Lily Kelly Napangardi
Haasts Bluff, b. 1948..acrylic on unstretched Belgian linen, signed on verso, with COA..some surface dirt on canvas, creasing at edges..canvas 29.25H x 38.75W inches

1040
Bush Yam, Janet Golder Kngwarrye
Utopia, b. 1973..acrylic on unstretched Belgian linen, signed on verso, with COA..light rippling to canvas, scattered overpaint..canvas 28.5H x 37.5W inches

1041
Bush Plum (Alkwe), Aileen Mbitjana
Utopian Station, b. 1940..acrylic on unstretched Belgian linen, signed and titled on verso, with COA..some overpaint, dis coloration to edges of canvas..canvas 27.5H x 38.5W inches

1042
Womens Ceremony, Narpula Scobie Napurrula
Haasts Bluff, b. 1950..acrylic on unstretched Belgian linen, signed on verso, with COA..light creasing and rippling to canvas, light surface dirt..canvas 27H x 37.75W inches

1043
Bush Leaves, Annie Napangardi Nelson
Ti Tree Community, b. 1968..acrylic on unstretched Belgian Linen, signed and titled on verso, with COA..light creases to edges, rippling..canvas 27.5H x 37.5W inches

1044
Hail Dreaming, Lilly Kelly Napangardi
Haasts Bluff, b. 1948..acrylic on unstretched Belgian linen, inventory number on verso, with COA..light surface abrasions, rippling, stiff edges, stored hanging..canvas 50.5H x 28.5W inches

1045
Tree Roots, Lynette Corby
Haasts Bluff, b. 1958..acrylic on unstretched Belgian linen, January 2010, inventory info on verso, with COA..light surface abrasions, jagged cut edges, stored hanging..canvas 51H x 33.5W inches

1046
Medicine Leaves, Jeannie Pitjara Petyarre
Utopia, 1951-2022..acrylic on unstretched Belgian linen, inscribed Jeannie on verso, with COA..surface dirt at edges, light abrasions, stored hanging..canvas 28.5H x 38.5W inches

1047
Medicine Leaves, Mary Rumble Petyarre
Utopia (Eastern desert), b. 1957..acrylic on u stretched Belgian linen, inscribed on verso, with COA..light creasing and discoloration at edges, stored hanging..canvas 29H x 38W inches

1048
Rock Holes-Tjin Tjin, Katherine Marshall Nakamarra
Papunya, b. 1968..acrylic on unstretched Belgian linen, inscribed on verso with artist name and inventory number, with COA..light creasing at edges..canvas 27.25H x 37.25W inches

1049
Blue Tongue Lizard, Debra Nangala Mcdonald
Pupunya Camp, b. 1969..acrylic on unstretched Belgian linen, inscribed and titled on verso, with COA..creasing to edges, stored hanging..canvas 27H x 38W inches

1050
My Country, Mary Rumble Petyarre
Utopia (Eastern Desert), b. 1957..acrylic on unstretched linen, inscribed on verso, with COA..creased edges, surface discoloration, stored hanging..canvas 28.5H x 39W inches

1051
Medicine Leaves, Rosemary Pitjara
Utopia, b. 1945..acrylic on unstretched belgian linen, inscribed on verso, with COA..creasing at edges, areas of overpaint, stored hanging..canvas 28.5H x 38.5W inches

1052
Late 19th Century Portrait of a Child
Oil on panel, no visible signature, sight 8 x 7 in., under glass, gilt wood and gesso frame..surface dirt, crackle, age related wear to frame, not examined out of frame..DOA: 13H x 12W x 3D inches

1053
Wandering Musicians, After Christian Dietrich
late 19th century, Oil on canvas after original painting by Christian Wilhelm Ernst Dietrich, no visible signature, sight 7 x 6 in., gold painted frame..surface dirt and grime, crackle, light paint loss, not examined out of frame..DOA: 13.5H x 12.5W ...

1054
Portrait of a Man, C. F. Madsen
German, 20th century, oil on panel, signed lower left, sight 6.5 x 5.5 in., gilt wood frame with name plate..surface dirt, crackle, frame with spotting, not examined out of frame..DOA: 10H x 9W x 1.5D inches

1055
Still Life with Grapes and Stone Fruit
Late 19th/early 20th century, oil on panel, signed lower left, sight 9 x 7 in., gilt composition frame..surface dirt, crackle, yellowed varnish, age cracks and repairs to frame, not examined out of frame..DOA: 18H x 16W x 3D inches

1056
Still Life with Copper Pots and Pans, Dutch School
Oil on canvas, laid over cradled panel, apparently ubsigned, sight 10 x 7.5 in, frame plaque attributes work 16th century but likely later, gilt wood and gesso frame..surface dirt and grime, old varnish, surface abrasions and paint loss, frame with ...

1057
Dutch Style Village Landscape, Bondar
20th century, oil on panel, partially visible signature lower left, sight 15.5 x 11.5 in., gilt composition frame..surface dust, light surface abrasions, frame with damage at top left corner not examined out of frame..DOA: 23H x 19W x 2.5D inches

1058
The Laborers Respite, after George Morland
20th century oil on panel after original work by Morland (British, 1763-1804), sight 26 x 17 in., gilt gesso frame..surface dirt and abrasions, paint loss, frame with damage at top left, it examined out of frame..DOA: 34H x 25W x 3D inches

1059
Madonna and Child with Young John the Baptist
19th century, oil on panel, similar in style to Madonna of the Magnificat by Sandro Botticelli, carved gilt wood frame..age related wear to paint surface, cracks to panel, surface dirt, age related wear and loss to frame *frame is heavy*..DOA: 40H x ...

1060
Still Life with Fruit, Vegetables and Bird of Prey
19th century, oil on canvas mounted on panel, apparently unsigned, sight 25.5 x 28.5 in., gilt wood frame..damage and loss to original canvas, creases and bubbling, surface grime, paint loss, not examined out of frame..DOA: 29.5H x 32.5W x 1.5D inche...

1061
Oil on Painting David Hunter McCalpin
David Hunter McAlpin (1816�1901) was a prominent industrialist and real estate owner in New York City.19th C oil on canvas, minor blemishes, gold tone frame 26 1/2 x 32 1/2

1062
Pair Asian Enameled Porcelain Plaques
20th century, featuring cranes and a song bird, enameled and inscribed, coordinating frames..surface dirt and grime, frames with fading and sun damage, not examined out of frames..each frame 23.5H x 15.5W x 1D inches

1063
Large Famille Porcelain Charger
16 inch Famille Rose chargers, six panel surround with birds, butterfly designs. Gilt trim

1064
Bronze Bust of a Young Woman
Attributed to Nguyen Thanh Le (Vietnamese, 1919-2006)..patinanted bronze bust on black wooden base, signed on the back of the neck, light surface wear, rubbing to base..13.5H x 6.5W x 5.5D inches

1065
Large Chinese Blue & White Floor Vase
Tall Chinese porcelain floor vase with flared rim, decorated in underglaze blue with continuous landscape scenes and calligraphic script. Finished with an intentional crackle glaze throughout. Bearing a square cartouche mark to the base. 20th century...

1066
Blue & White Chinese Floor Vase
Tall Chinese porcelain floor vase with flared rim, decorated in underglaze blue with painted landscape scenes and calligraphic inscription. Bearing a square cartouche to the base. Surface wear and kiln-related imperfections consistent with manufactur...

1067
Bronze Guanyin Or Bodhisattva
Thousand Hands and Eyes figure signifies boundless compassion, and protection for followers. Seated in meditation pose on a lotus base. Large 22 inch tall piece.

1068
Pair of Monumental Chinese Dragon Floor Vases
Pair of tall Chinese porcelain floor vases, each decorated in underglaze blue with sinuous dragons amid waves and clouds, heightened with iron-red accents. Flared trumpet rims with painted Chinese characters near the necks; square blue marks to the b...

1069
Vintage Terracotta Warrior
Cast composite terracotta figure modeled after ancient Chinese scholar-official and military representations, inspired by Qin Shu Huang terracotta army terracotta forms. The standing figure wears a formal robe with incised geometric and symbolic deco...

1070
Japanese Porcelain Chargers
Katana porcelain chargers, 12 inch with scene of figures, in wooded setting. 13 inch with panel decoration reverse rim scenes, florals geometric lines

1071
Satsuma Ware Vases
10 and 12 inch vases, elaborately decorated with enamel over glaze, traditional figures , florals, birds

1072
Pair Vintage Chinese Porcelain Vases
Yellow Chinese porcelain vases with Calla Lily decoration. Finely enameled and painted. 8 inches tall, long tapered neck.

1073
English Oak Longcase Clock
An English oak longcase clock, late 18th to early 19th century, the brass dial with chapter ring bearing Roman numerals and Arabic five-minute markers, signed "J Foster" to the center. The hood with molded cornice and turned corner columns above a ca...

1074
English Oak Longcase Clock
An English oak longcase clock, early 19th century, the arched painted dial decorated with floral spandrels and Roman numerals, incorporating subsidiary seconds and calendar apertures. The dial shows notable cracking, paint losses, and restorations co...

1075
Dutch Atlas Wall Clock
Dutch painted dial wall clock, late 18th to early 19th century, featuring a scenic harbor landscape with windmill, single-hand chapter ring, and gilt brass spandrels. The arched hood surmounted by three gilt Atlas figures, including a central figure ...

1076
American Mahogany Shelf Clock by Davis & Barber
American shelf clock housed in a mahogany case with turned columns and a painted iron dial with Roman numerals. The interior label reads "Improved Eight Day Brass Clocks, Manufactured and Sold by Davis & Farber, Greensboro, Geo." Eight-day brass move...

1077
Pillar & Scroll Shelf Clock Silas Hoadley
Early 19th C American shelf clock with scroll-top case surmounted by three brass finials, fitted with a painted metal dial with Roman numerals and floral decoration. Reverse paining on glass of Monticello. Eight-day weight-driven movement with pendul...

1078
Early Country French Long case Clock
Paint Early 19th, original paint Brass repousse dial surround and pendulum, Enamel dial, minuet and hour hands, decorative floral design, losses and wear consistent age, no glass on dial door, 92, tall 18 wide 9 deep

1079
Louis XV Cartel Walk Clock
Bronze Rococo Wall Clock with white enamel dial, Roman numerals, ornate design case with acanthus leaves, and florals. 18 x 9 inches.

1080
Anniversary Clock
German Anniversary Clock, In style of Gustav Becker, 400 day clock, with delicate torsion pendulum, designed to run 400 days on a single winding. Round dial, decorative finials and glass dome cover. With key a

1081
Antique Dutch Frisian Stoelklok
Early wall clock with polychrome decorated face flanked by mermaids, painted open work surround and crest, housed within carved wood case..not tested for functionality, paint loss and wear, some elements may not be present..case 26.5H x 13W x 10D inc...

1082
Don Craig Snake Jug
Alkaline Glazed Stoneware Jug, hand molded snake coiled around body with scaling, forked tongue and fangs. Signed and dated �07

1083
James Roddy Pottery Rooster
Rich brown alkaline glazed body, with blue ribs and mottled wings and tail. 13 inches tall, signed Roddy, Greer SC and dated 19971* pupil in one eye slipped during firing

1084
Southern Folk Art Snake Jug
My Bud..Snake Eye. Grotesque snake jug by WA Flowers. Big 10 inch jug, with snake coming from eye socket, with eye in his mouth.Runny green glaze, chip teeth, and pronounced handle. Signed on reverse as above

1085
Southern Folk Pottery Ring Jug
Hand crafted using traditional form for ring jug, with addition of hound dog treeing a raccoon. Glossy green runny glaze, 14 inches tall, with an applied base ring. Dated 2002. Faint mark..Marvin Bailey or Hodge

1086
Don Craig Folk Art Snake Jug
Southern pottery artist Don Craig, 1 gallon jug with smooth alkaline glazed body. Applied scaly snake with prominent fangs, forked tongue, button rattles. 12 inches tall, applied handle, signed in the body

1087
Don Craig Southern Pottery Face Jug
Smiling Moon Face Jug, rich alkaline glaze with prominent nose, full smiling mouth with China teeth. Painted blue eye. Signed and dated �98

1088
Southern Folk Art Face Jug
Don Craig sculpted face jug with prominent nose, shaped eyebrows, eyelashes and small ears. A whimsical female face jug, with China plate teeth. Script signed to base. 12 inches tall

1089
Billy Henson Face Jug
Southern Folk Pottery face jug, 15 inches tall, with seal ears, nose, open mouth with teeth. Goatee, and bushy brows. Artist Billy Henson, Lyman SC signed and dated 1996

1090
Stoneware Ring Snake Jug
Larg size ring jug, 16 inches with green glaze. Two opposing snakes, at shaped spout. Scaly brown and black with small glass eyes. Pedestal form base with incised lines.

1091
Southern Folk Pottery Face Jug
Caricature Face Jug, featuring over done wide mouth with double rows of teeth, pronounced nose, big ears, arched eyebrows and cobalt stone eyes, 13.5 inches tall, applied shaped handle. Alkaline glazed body. In style of Charlie Lisk, signed but not ...

1092
WA Flowers Pottery Devil Jug
North Carolina folk Art pottery by artist, WA Flowers 12 inches tall tall ugly Face Devil Jug. Alkaline Glazed stoneware, featuring wide bug eyes, big nose, open mouth with teeth, and prominent horns. Script signed on reverse body and dated 1999

1093
Crystal Sullivan Stoneware Bass Jug
Southern pottery Alkaline glazed jug, 13 inches tall, with realistic Bass Fish applied. Signed

1094
Don Craig Snake Jug
Alkaline glazed Stoneware Jug, 13 inches tall, with great scaly snake coiled around jug. Prominent fangs, forked tongue. Incised lines around neck band, signed in body, dated 1998

1095
Southern Folk Pottery Rooster
Don Craig artisan Proud Rooster, 14 inches tall. Detailed feather work in rusty orange with deep gloss green , red comb and yellow beak, signed on base. * chipped tail feather

1096
Don Craig Moon Face Jug
Southern Folk Pottery face jug, whimsical smiling Moon face with pronounced eyes, and nose. China chip teeth. 15 inches tall, well formed double handles, incised lines at neck. Signed and dated 98

1097
Don Craig Southern Pottery Mickey Mouse Jug
Stoneware Face Jug as Mickey Mouse! 12 inches tall, great facial features. Deep cobalt and alkaline glaze. Flat ears. Signed and dated 2001

1098
Southern Stoneware Snake Jug
Signed Don Craig artist made Tall ovoid form jug, 16 inches, with coiled rattlesnake to body. Glossy alkaline glaze with cobalt banding , well formed spout and handle. Scaly body with forked tongue. * broken fang

1099
Two Walter Fleming Face Jugs
9 inch swirl face jug with bug eyes, big lips and chip teeth. 10 inches tall swirl jug, with same facial features. Both with good color, both signed

1100
Billy Henson Folk Pottery Pitcher
Wood fired pottery pitcher, 12 inches tall, decoration of grapes and leaves to body. Signed and dated 1997. Henson, third generation potter from Lyman SC. ( 1942-2001)